Course Syllabus
Introduction
Porter shares a primary source in the form of a letter from Mozart's father, as well as how important it is to have an understanding of performance practice before tackling this concerto.
I. Allegro maestoso
Tempo, articulation, mood, and breathing are all critical to plan in this first movement, and Porter shares how she approaches it.
II. Adagio ma non troppo
The second movement requires that each phrase be treated very musically, and Porter talks about the special lift that staccato notes should have, as well.
III. Rondo: Tempo di Menuetto Moderato
For the third movement, Porter offers firsthand advice on appoggiaturas, as well as how to avoid common articulation pitfalls.
Cadenzas
Providing historical context, Porter outlines how to go about creating a cadenza for this stunning concerto.
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