Taught by renowned flutist
Carol Wincenc
The sonata, crafted by Les Six composer Francis Poulenc, is simple at first glance but full of rich modal harmonies and alternating moods. Wincenc’s mentor, Jean-Pierre Rampal, elevated this piece to fame during his career, so she fills her course with one-of-a-kind insights and demonstrations.
Introduction
Wincenc describes how this piece was a favorite of her mentor, Jean-Pierre Rampal, and how its passion lends itself to countless opportunities for vocal expression.
I. Allegro malinconico
Following a basic ABA form and without a key signature, the first movement provides opportunities for many different characters, as well as testing our airspeed.
II. Cantilena: Assez lent
The second movement is steeped in the vocal tradition, starting with a quote from another song by Poulenc. Be sure to think about articulation, tone color, and dynamics.
III. Presto giocoso
Influenced by the cabaret music that filled the streets of Paris, the third movement is a fast-paced march demanding precise articulations and rich joyousness.
Click here to download the course workbook PDF and see the full syllabus →Hailed as "Queen of the flute" by New York Magazine, flutist Carol Wincenc currently on the faculty at The Juilliard School and SUNY Stony Brook. Wincenc has appeared as a soloist with the London, Chicago, Houston, Detroit, and Pittsburgh symphonies, the Netherlands Concertgebouw, and the Warsaw Philharmonic.
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