Taught by renowned flutist
Rachel Brown
The contrast between the four movements, Rachel Brown tells us, is what makes it great. In this course, she speaks at length about the unique character of each movement and what we can learn from other repertoire of the time period to play this music authentically.
Introduction
Interestingly, the term 'partita' was not used until the middle of the 20th century. Rachel Brown goes into great detail to explain where this work fits in Bach's output, how to find the right edition, and how to use proper period performance technique.
I. Allemande
Rooted in traditional dances, the Allemande begins with a declamatory gesture followed by a running melody. Brown points out that Bach's fascination with numerology also makes a fascinating appearance.
II. Corrente
Occurring prominently in the histories of both France and Italy, this Corrente is partially inspired by Polish music, as well! Using comparisons to other works written around the same time, Brown shares alternate fingerings, practice tips, and a historical overview.
III. Sarabande
The Sarabande evokes intense emotions of beauty from an audience, despite its beginnings as a zesty, provocative dance. Brown demonstrates portions of the dance steps and compares it to other works in the repertoire.
IV. Bourrée angloise
What makes this bourrée English? Brown explores the influence of the hornpipe and numerous other pieces to try to get to an answer, and shares how that impacts our interpretation.
Click here to download the course workbook PDF and see the full syllabus →A leading exponent of historical flutes, Rachel Brown is in great demand worldwide, as a soloist, orchestral player and teacher. As principal flute and recorder player with the Academy of Ancient Music, the Hanover Band, the Brandenburg Consort, Collegium Musicum 90, Ex Cathedra and, more recently, Arcangelo, she has recorded extensively and performed throughout Europe, North and South America, Japan, China and Australia.
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